Shakespeare, Film, Fin de Siecle

Acknowledgements Notes on the Contributors Foreword; P.Holland Introduction; M.T.Burnett & R.Wray The Book on the Screen: Shakespeare Films and Textual Culture; A.Murphy The Postmodern Theatre of Paul Mazursky's Tempest; D.Bruster Camp Richard III and the Burdens of (Stage/Film) History; S.M.Buhler Shakespeare Meets The Godfather : The Postmodern Populism of Al Pacino's Looking for Richard; N.Sinyard Urban Dystopias: Re-approaching Christine Edzard's As You Like It; A.Marriette Impressions of Fantasy: Adrian Noble's A Midsummer Night's Dream; M.T.Burnett 'The Way the World is Now': Love in the Troma Zone; M.J.Kidnie 'These Violent Delights have Violent Ends': Baz Luhrmann's Millennial Shakespeare; J.N.Loehlin 'Either for Tragedy, Comedy': Attitudes to Hamlet in Kenneth Branagh's In the Bleak Midwinter and Hamlet; A.Smith The End of History and the Last Man: Kenneth Branagh's Hamlet; J.Sanders From the Horse's Mouth: Branagh on the Bard; R.Wray & M.T.Burnett Virgin and Ape, Venetian and Infidel: Labellings of Otherness in Oliver Parker's Othello; J.Buchanan Shakespeare in Love and the End of the Shakespearean: Academic and Mass Culture Constructions of Literary Authorship; R.Burt Index