Listening to China’s Cultural Revolution

<p>Introduction; Paul Clark, Laikwan Pang and Tsan-Huang Tsai<br/>PART I: TEMPORALITY: CONTINUITY AND CHANGE IN CULTURAL REVOLUTION MUSIC<br/>1. A Diachronic Study of Jingju Yangbanxi Model Peking Opera Music; Dai Jiafang, translated by Lau Sze Wing<br/>2. From Confucianist Meditative Tool to Maoist Revolutionary Weapon: The Seven-Stringed Zither (Qin) in the Cultural Revolution; Tsan-Huang Tsai<br/>3. Breaking Bad: Sabotaging the Production of the Hero in the Amateur Performance of Yangbanxi; Laurence Coderre<br/>4. Third World Internationalism: Films and Operas in the Chinese Cultural Revolution; Ban Wang<br/>5. Singing in the Dark: Film and Cultural Revolution Musical Culture; Paul Clark<br/>PART II: GEOGRAPHY: TRANSPLANTATION AND THE MAKING OF REGIONAL YANGBANXI<br/>6. Dialects as Untamable: How to Revolutionize Cantonese Opera?; Laikwan Pang<br/>7. The West is Red: Uyghur Adaptation of The Legend of the Red Lantern (Qizil Chiragh) During China ' 's Cultural Revolution; Chuen-Fung Wong<br/>8. The Dragon River Reaches the Borders: The Rehabilitation of Ethnic Music in a Model Opera; Rowan Pease<br/>PART III: LEGACIES AND LINEAGES: CULTURAL REVOLUTION SOUNDSCAPES BEYOND THE MAO ERA<br/>9. Musical-Dramatic Experimentation in the Yangbanxi: A Case for Precedence in The Great Wall; John Winzenburg<br/>10. Sonic Imaginary After the Cultural Revolution; Nancy Yunhwa Rao<br/>11. Just Beat It! Popular Legacies of Cultural Revolution Music; Barbara Mittler<br/></p>