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This book addresses the question of animal rights in the context of literary criticism. Working from a committed position, it asks the question, 'What would literary studies look like if we took animal rights seriously? Meer

Blake's comic brilliance has been variously dismissed as the nervous ramblings of a neglected genius, the tomfool doodles of a distracted youngster, or a crude tool for destabilizing textual authority. Meer

Wessex did not spring full-born from Hardy's imagination when he began to write. The first part of the book reveals in detail how Wessex became what it is, geographically, socially and culturally, beginning with his fist poem in the 1860s and ending with Winter Words, his last collection of verse. Meer

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