Women Writers and Experimental Narratives

<p>1.&nbsp;&nbsp;Introduction.-&nbsp;2.&nbsp;‘Unlink the Chain’: Experiment in Aphra Behn’s&nbsp;Novels.-&nbsp;3.&nbsp;Experiment in Prose: Authority and Experience in Lady Mary Wortley Montagu’s Letters.-&nbsp;4.&nbsp;Experiments, Experimentalists, Experimentation: Dissecting Frankenstein.-&nbsp;5.&nbsp;Genre-Bending and Experimentation in Sensation Fiction; The Case of Mary Braddon and Ellen Wood.-&nbsp;6.&nbsp;The Ironic Strategies of Kate Chopin’s The Awakening.-&nbsp;7.&nbsp;Realms of Resemblance: Virginia Woolf, Simone de Beauvoir and Maï Zetterling.-&nbsp;8.&nbsp;Neo-Victorian Experimental Narrative:&nbsp; Writing the Absent Objects of History in Affinity and In the Red Kitchen.-&nbsp;9.&nbsp;1966 and Wide Sargasso Sea: The Climate that Made Jean Rhys Legible.-&nbsp;10.&nbsp;&nbsp;Troublesome reading: story and speculation in African American and African originated women’s writing. Resurrecting the past, re-imagining the future.-&nbsp;11. 'She’s a Fine Girl': An Autotheoretical Examination of Early Experiences of Sexuality and Selfhood in Eimear McBride’s A Girl is a Half-Formed Thing and Charlotte Roche’s Wetlands.-&nbsp;12. Helen Oyeyemi at the Vanguard of Innovation in Contemporary Black British Women’s Literature.-&nbsp;13. 'Daring to tilt worlds': the fiction of Irenosen Okojie.-&nbsp;14. Working from the Wound: Trauma, memory and experimental writing praxis in Jeanette Winterson’s Why Be Happy When You Could Be Normal?.</p>